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ᐃᓄᐃᑦ ᑕᐱᕇᑦ ᑲᓇᑕᒥ ᑲᑎᒪᔨᖏᑦ ᑲᑎᒪᓂᖃᖅᑐᑦ ᐋᑐᕙᒥ, ᐊᑎᓕᐅᕆᕗᑦ ᐃᓄᒋᐊᒃᑐᓂᕐᒥᐅᑦ ᐃᓄᐃᑦ ᑲᑎᒪᔨᖖᒐᓯᐊᕈᓯᓂᒃ ᐱᒋᐊᖅᑎᑦᑎᓯᒪᓕᕆᐊᒥᒃ

By ᑐᓴᖅᑎᑦᓯᔾᔪᑏᑦ

ᐃᓄᐃᑦ ᑕᐱᕇᑦ ᑲᓇᑕᒥ ᑲᑎᒪᔨᖏᑦ ᑲᑎᒪᓂᖃᖅᑐᑦ ᐋᑐᕙᒥ, ᐊᑎᓕᐅᕆᕗᑦ ᐃᓄᒋᐊᒃᑐᓂᕐᒥᐅᑦ ᐃᓄᐃᑦ ᑲᑎᒪᔨᖖᒐᓯᐊᕈᓯᓂᒃ ᐱᒋᐊᖅᑎᑦᑎᓯᒪᓕᕆᐊᒥᒃ

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ᓂᕿᕕᐊᓗᒃ ᓂᕆᑉᑲᒑ ᐃᓄᕕᐊᓗᐃᑦ

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ᑖᒻᓇ “ᐊᖕᒋᔪᒃ ᓴᕚᑦ” ᐃᓄᕕᐊᓗᐃᑦ, ᐳᕋᐃᔭᓐ ᐃᓚᓂᒃ ᐅᖃᖅᑐᐊᖅ, ᓴᓇᓱᐃᓪᓗᑎᒃ ᐊᑯᓐᕋᓂ ᓯᑦᑎᒻᐱᕇ 2023ᒥ—ᓴᕙᒃᑏᑦᓗ ᐊᕝᒍᒑ ᓯᕗᓪᓕᖅ 50 ᖁᓐᖕᒋᖅ ᑲᑎᑕᐃᑦ ᓂᕿ ᖁᓐᖕᒋᑦ. “ᐅᕙᒍᑦ ᖁᓐᖕᒋᑦ ᖃᐃᑖ ᑖᒻᓇ ᐃᓄᕕᐊᓗᐃᑦ ᓄᓈᓂ ᒪᓕᕈᑕᒃᓴᖅ ᓂᕿᕕᐊᓗᒃ ᐊᒥᕐᓗ,” ᐅᖃᖅᑐᐊᖅ ᐃᓚᓂᒃ, ᐊᑕᓂᖅ ᓴᕙᒃᑏ ᐃᓄᕕᐊᓗᐃᑦ ᑯᐊᐸᕇᓴᓐ ᐃᓄᕕᒃᐃᓄᕕᐊᓗᐃᑦ ᓂᕿ ᓴᕙᒃᑏᑦ ᐃᒡᓗᒻ ᓴᕚᑦ. “ᖃᕐᕆᓯᒑᐃᑦ ᐃᒡᓗᒻ ᓴᕚᑦᒥ, ᓇᒃᑎᑖᓗ, ᐊᐅᒃ ᒪᕿᑉᑲᒑ ᐅᓄᐊᒥ. ᐊᕝᒍᒑ ᒥᒥᖅ, ᐊᕝᖁᐃᔪᐊᖅ ᓂᕿᕕᐊᓗᒃ, ᐅᔅᕼᐅᓇᓕᒃᓗ, ᑐᓕᒫᕐᓗ. ᐅᕙᒍᑦ ᐊᑐᒑ ᑕᒫᓐ ᓂᕐᔪᑦᒧᓐ ᐋᓰᓐ ᐃᑲᔪᖅᑐᒍᑦ ᐃᓄᒧᓐ.”

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ᓈᑕᓐ ᐆᐱᑦ ᕼᐋᑭᒧᑦ ᐊᔾᔨᖕᒍᐊᖕᒋᑦᑕ ᒥᑦᓵᓂ

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2020-ᒥ, ᓄᕙᒡᔪᐊᕐᓇᖅ-19 ᐊᒥᓱᓄᑦ ᖃᓂᒻᒪᓐᓇᐅᔪᒥ ᒪᑐᓯᑎᓪᓗᒍ ᑭᓱᓕᒫᓂᑦ, ᓈᑕᓐ ᐆᐱᑦ, ᐊᖓᔪᖅᑳᖅ ᐃᓄᐃᑦ ᑕᐱᕇᑦ ᑲᓇᑕᒥ, ᐊᒥᓱᑎᑐᑦ ᐃᓄᖕᓂ, ᕿᓂᓚᐅᖅᐳᖅ ᐅᓚᕕᓴᐅᑎᒃᓴᒥ. ᓂᕈᐊᓚᐅᖅᑕᖓᓂ ᑕᖅᑭᓂᒃ 18−ᓂ ᐱᔭᕇᖅᓯᓂᕐᒧᑦ ᐊᒻᒪ ᖃᐅᔨᓂᖓᓂ ᐊᕐᕌᒍᓄᑦ−70-ᓄᑦ ᓇᓗᓇᕐᓂᐅᔪᒥ ᑲᑎᙵᓂᖃᖅᑐᒥ ᐱᓐᓇᕆᓛᖓᓂ ᑲᑎᙵᓂᐅᔪᒥ ᕼᐋᑭᒧᑦ ᐊᔾᔨᙳᐊᖏᓐᓂ ᐸᑦᑕᓂᑦ 1955−ᒥ. ᐆᐱᑦ ᑲᑎᖅᓱᐃᓯᒪᕗᖅ ᕼᐋᑭᒧᑦ ᐊᔾᔨᙳᐊᖏᓐᓂ ᐸᑦᑕᓂᑦ ᑕᐃᒪᙵᓂ ᐊᒃᑲᖓᑕ ᓂᐅᕕᐅᑎᖕᒪᒍ ᓯᕗᓪᓕᖅᐹᖑᔪᒥ ᑲᑎᙵᓂᐅᔪᓂ ᓱᕈᓯᐅᑎᓪᓗᒍ ᓇᐃᓐ, ᓄᓇᑦᓯᐊᕗᒻᒥ. ᐃᒻᒥᓂᒃ ᐊᓯᐅᕙᓚᐅᖅᐳᖅ ᐊᓐᓄᕌᖅᓯᒪᔪᓂ ᐱᙳᐊᖅᑎᐅᔪᓂ ᑮᓇᖏᓐᓂ, ᐋᖅᑭᒃᓱᐃᓪᓗᓂ ᐊᒻᒪ ᐋᖅᑭᒃᓱᐃᒃᑲᓐᓂᖅᖢᓂ ᒪᓕᒃᑐᒥ ᑲᑎᑎᕆᓂᐅᓂᖓᓂ ᐊᒻᒪ ᖃᓄᐃᓕᐅᖅᓯᒪᓂᖕᒋᓐᓄᑦ. ᓇᖕᒥᓂᖃᖅᑐᒃᓴᐅᓕᖅᐳᖅ 100,000−ᐸᓗᖕᓂ ᐊᔾᔨᙳᐊᖏᓐᓂ ᐸᑦᑕᓂᑦ ᐅᓪᓗᒥ ᐊᒻᒪᓗ ᓱᓕ ᐊᓕᐊᓇᐃᒋᕙᒃᐸᖏᑦ ᓴᖅᑭᑎᒃᑳᖓᒥᒋᑦ.

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ᐃᓕᓴᐱᑦᑎᑐᑦ, ᐆᒻᒪᑎᒃᑯᑦ

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ᐱᙳᐊᖃᒥᐅᑦᓱᓂ, ᐊᑐᐃᓐᓇᕈᑦᑎᓱᓂᓗ ᐱᙳᐊᓂᕆᓛᖅᑕᒥᓂᑦ ᑲᓇᑕᒥᑦ ᐊᒻᒪᓗ ᑕᕆᐅᑉ ᐊᑭᐊᓂ, ᓴᓪᓗᕐᒥᐅᑕᖅ ᐃᓕᓴᐱ ᐊᐃᓴᒃ ᐅᖃᐅᓯᖃᒍᓐᓇᓯᓚᐅᖅᑐᖅ ᑐᓴᕐᓂᔮᓕᐊᕆᖅᑲᒥᒋᓚᐅᖅᑕᒥᓂᑦ ᓰᑦᑎᒻᐱᕇ 2023ᒥᑦ ᐊᑎᓕᒻᒥᑦ ᐃᓄᒃᑎᑐᑦ. ᑖᓐᓇ ᑐᓴᕐᓂᔮᒐᖅᑕᓕᒃ 1960ᓂᑦ 1990ᓄᑦ ᐃᙱᑕᐅᓯᒪᔪᓂᑦ ᐃᓄᒃᑎᑑᓕᖅᑎᑕᐅᓯᒪᔪᓂᑦ ᐃᓕᓴᐱᒻᒧᑦ.

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ᐊᖓᔪᖅᑳᑉ ᐅᖃᐅᓯᒃᓴᖏᑦ

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ᐃᓄᐃᑦ ᑕᐱᕇᑦ ᑲᓇᑕᒥ ᓯᕗᓪᓕᖅᐸᐅᓪᓗᑎᒃ ᐱᒋᐊᖅᑎᑦᑎᔨᐅᒋᐊᖅᐳᑦ ᓯᓚᑦᑐᖅᓴᖅᕕᒡᔪᐊᖃᓕᖅᑎᑦᑎᒋᐊᒥᒃ ᐃᓄᐃᑦ ᓄᓇᖓᓐᓂ. ᐊᖏᔪᐊᓗᖕᒥᒃ ᐱᓕᕆᐊᒃᓴᖃᖅᐳᑦ ᑖᔅᓱᒥᖓ ᓂᕆᐅᖕᓂᕆᔭᐅᔪᒥᒃ ᐱᑕᖃᓕᖅᑎᑦᑎᒋᐊᕐᓂᐊᕐᓗᑎᒃ, ᑭᓯᐊᓂᓗ ᑐᑭᒧᐊᒍᑎᒃᓴᖃᖅᑎᑕᐅᓯᒪᕗᒍᑦ ᐱᓕᕆᐊᒃᓴᕆᔭᑦᑎᓐᓄᑦ ᓯᕗᓂᕆᓂᐊᖅᑕᑦᑎᓐᓂ ᐃᒪᓐᓇ ᐃᓄᐃᑦ ᐃᓕᓐᓂᐊᖅᑐᑦ ᖁᑦᑎᖕᓂᖅᐹᒥᒃ ᐃᓕᓐᓂᐊᕌᓂᒍᑎᖃᖃᑦᑕᓕᕈᑎᒃᓴᖏᓂᒃ ᐅᑯᓂᖓ ᐃᓕᓐᓂᐊᕐᓂᓕᕆᓂᕐᒥ, ᐊᑐᖅᑕᐅᓯᒪᔪᓕᕆᓂᕐᓄᑦ ᐊᒻᒪᓗ ᐊᐅᓚᑦᓯᔨᐅᓂᕐᒧᑦ, ᐋᓐᓂᐊᖅᓯᐅᕐᑎᓕᕆᓂᕐᒧᑦ ᐊᒻᒪᓗ ᐄᔭᒐᖅᑖᕈᑎᓕᕆᓂᕐᒧᑦ, ᐊᒻᒪᓗ ᐃᓄᒃᑐᑦ, ᐃᓚᖃᖅᑎᓪᓗᒋᑦ ᐊᕙᑎᓕᕆᓂᕐᒥ ᖃᐅᔨᓴᐃᓂᐅᕙᒃᑐᓄᑦ ᐊᒻᒪᓗ ᓴᓇᔨᒻᒪᕆᐅᓂᕐᒧᑦ, ᑕᒪᒃᑯᐊᓗ ᑐᖖᒐᕝᕕᖃᖅᑎᑕᐅᓗᑎᒃ ᐃᓄᐃᑦ ᖃᐅᔨᒪᕙᒃᑕᖏᓐᓂᑦ ᐊᒻᒪᓗ ᐃᓕᖅᑯᓯᕆᔭᖏᓐᓂᑦ.

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ᐋᖅᕿᒃᓱᐃᓂᖅ ᐱᕈᖅᐸᓪᓕᐊᓂᖃᕐᓂᖅᓴᐅᔪᖕᓇᖅᑐᒥᒃ ᐃᓄᐃᑦ ᓄᓇᖓᓂᑦ ᐃᓄᐃᑦ-ᒐᕙᒪᑐᖃᒃᑯᑦ ᐱᓕᕆᖃᑎᒌᖕᓂᖏᓐᓄᑦ ᑲᑎᒪᔨᐊᓛᑎᒍᑦ

By ᑐᓴᖅᑎᑦᓯᔾᔪᑏᑦ

ᐅᑉᓗᒥᑦ, ᐊᖏᔪᖅᖄᕐᔪᐊᖅ, ᔭᔅᑎ ᑐᕉᑑ, ᐊᖏᔪᖅᖄᖅ ᐃᓄᐃᑦ ᑕᐃᕇᒃᑯᓐᓄᑦ, ᓇᑖᓐ ᐅᐱᐊᑦ, ᒐᕙᒪᑐᖃᒃᑯᓐᓂᑦ ᒥᓂᔅᑕᐅᔪᑦ, ᐊᒻᒪᓗ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᑦ ᐃᓄᐃᑦ ᓯᕗᓕᖅᑎᖏᑦ ᐃᓄᕕᐊᓗᐃᑦ ᐊᕕᒃᑐᖅᓯᒪᔪᒥᑦ ᑯᐊᐳᕇᓴᒃᑯᓐᓂᙶᖅᑐᑦ, ᓄᓇᕗᑦ ᑐᙵᕕᒃᑯᓐᓂᑦ, ᒪᑭᕝᕕᒃᑯᓐᓂᑦ, ᐊᒻᒪᓗ ᓄᓇᑦᓯᐊᕗᑦ ᒐᕙᒪᒃᑯᓐᓂᑦ ᑲᑎᓚᐅᖅᑐᑦ ᑲᑎᒪᓂᕆᔭᖏᓐᓂᑦ ᐃᓄᐃᑦ-ᒐᕙᒪᑐᖃᒃᑯᑦ ᐱᓕᕆᖃᑎᒌᖕᓂᖏᓐᓄᑦ ᑲᑎᒪᔨᐊᓛᒃᑯᑦ ᐋᑐᕚ, ᐋᓐᑎᐅᕆᐅᒥᑦ.

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amautik-katherine-takpannie

ᑳᑐᕆᓐ ᑕᒃᐹᓂᐅᑉ ᐃᓅᓯᖓ ᐊᔾᔨᙳᐊᒃᑯᑦ

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ᑳᑐᕆᓐ ᑕᒃᐹᓂ ᐅᑭᐅᖃᖅᑎᓪᓗᒍ 15ᓂᒃ, ᑎᒍᓯᓚᐅᖅᓯᒪᔪᖅ ᐊᔾᔨᓕᐅᕈᑎᒥᒃ ᐊᒃᑲᒻᒥᓂᒃ ᐱᓯᒪᔭᒥᓂᒃ ᐊᔾᔨᓕᐅᕆᖃᑦᑕᓕᖅᑐᓂᓪᓗ ᖃᐅᑕᒫᑦ ᑕᖅᑭᓄᑦ ᖁᓕᐅᖏᒐᖅᑐᓪᓗᐊᒐᓚᓐᓄᑦ: ᐃᓄᐃᑦ, ᓄᓇ, ᐃᓪᓗᕐᔪᐊᑦ. ᓱᓕ ᐸᐸᑦᑕᖏᑦ ᐊᔾᔨᓕᐊᒥᓂᖏᑦ ᑕᑯᓕᕋᐃᒐᒥᒋᓪᓗ ᒫᓐᓇ, ᑕᑯᖃᒃᑕᓕᖅᑐᖅ ᐱᕈᖅᐸᓪᓕᐊᓂᕆᓯᒪᔭᕐᒥᓂ ᐊᔾᔨᓕᐅᕆᖃᑦᑕᓂᒃᑯᑦ ᐱᓕᕆᐊᖃᓕᖅᑐᓂ.

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ᑮᓇᐅᔭᒻᒪᕆᒃ

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ᓄᓄ ᕕᐱᕆ 20, 2018ᖑᑎᓪᓗᒍ, ᐊᑐᖅᑕᐅᒋᐅᖅᑐᖃᓚᐅᖅᑐᖅ Waddington’s Auction House ᐊᑭᑦᑐᕋᐅᑎᕕᖓᓐᓂ ᑐᕌᓐᑐ, ᐋᓐᑎᐅᕆᔫᒥ. ᐊᒥᓱᓕᐅᖅᑕᐅᓯ-ᒪᓗᐊᙱᑦᑐᒥ ᑎᑎᖅᑐᒐᖓᓂᒃ ᕿᓐᓄᐊᔪᐊᖅ ᐋᓯᕙᐅᑉ ᑎᑎᖅᑐᒐᖓ “ᐅᑉᐱᔾᔪᐊᖅ”ᐊᑭᑦᑐᕋᐅᑎᔪᓂ ᓂᐅᕕᐊᖑᓚᐅᖅᓯᒪᔪᖅ $216,000ᓄᑦ.
ᑕᒪᓐᓇ ᖄᖏᐅᑎᓚᐅᖅᑐᖅ ᓯᕗᓂᐊᒍᑦ ᐊᑭᑐᓂᕆᓯᒪᔭᖓᓂᒃ ᑕᒪᑐᒪ ᖃᐅᔨᒪᔭᐅᒻᒪᕆᑦᑑᑉ ᐅᑉᐱᔪᐊᖓᑕ. ᐋᔩᖃᑎᒌᒍ-ᑕᐅᒃᑲᓐᓂᓕᖅᑐᓂᓪᓗ ᑲᓇᑕᒥ ᓴᓇᙳᐊᖅᑎᓄᑦ ᐱᐅᓯᐅᕙᑦᑐᒥ — ᓂᐅᕕᖅᑕᐅᒃᑲᓐᓂᕐᓂᖓᓄᑦᐱᔪᓐᓇᐅᑎᖃᕐᓂᖅ.

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ᐊᐱᖅᓱᕐᓂᖅ ᓂᐊᓕ ᐋᕆᒥᒃ

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ᓂᐊᓕ ᐋᕆ ᐊᒃᖥᕕᖕᒥᐅᑕᐅᓯᒪᓕᕐᐳᖅ ᑕᐃᒪᖖᖓᓂ 1959-ᒥ ᐊᒻᒪᓗ ᓱᕈᓯᕐᒥᓂᒃ ᑕᕝᕙᓂ ᐱᕈᖅᓴᐃᓯᒪᔫᓪᓗᓂ, ᐃᓚᖃᖅᑎᓪᓗᒍ ᐊᓐᓇᐅᒪᔾᔪᑎᒃᓴᖅᑖᕐᐸᒃᓱᓂ ᓄᓇᒥᐅᑕᐅᕙᒃᓱᓂ. ᓂᐊᓕ ᑕᒫᓃᖃᑎᒋᕙᕋ ᐅᓂᒃᑳᕐᕕᒋᓂᐊᕐᒪᑎᒍᑦ ᖃᓄᐃᑦᑑᒪᐅᕐᓂᖓᓂᒃ ᐱᕈᖅᓴᑎᓪᓗᒍ ᓄᓇᒥᐅᑕᐅᓪᓗᓂ, ᓱᕈᓯᕐᒥᓂᒃ ᐃᕐᖑᑕᒥᓂᒃᓗ ᐃᓕᓐᓂᐊᖅᑎᑦᓯᕙᓪᓕᐊᓯᒪᓂᒥᓂᒃ ᐃᓚᒋᔭᒥᓂᑦ ᐃᓕᓐᓂᐊᕈᑎᒋᓯᒪᓕᓚᐅᖅᑕᒥᓄᑦ. ᑖᓐᓇ ᐊᐱᖅᓱᕈᓐᓇᕐᓂᕋ ᐅᕙᓐᓄᑦ ᐊᒃᑐᐊᓂᖃᓪᓚᕆᒃᐳᖅ, ᐱᔾᔪᑎᒋᓪᓗᒍ ᑖᔅᓱᒧᖓ ᐃᕐᖑᑕᕆᔭᐅᖃᑕᐅᓂᕋ, ᐊᒻᒪᓗ ᑐᓴᕈᓐᓇᓕᓚᐅᕋᒪ ᐅᓂᒃᑳᕆᔭᖏᓂᒃ ᑐᓴᓚᐅᖅᓯᒪᖖᒋᑕᓐᓂᒃ ᓱᓕ.

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“ᒫᓃᓚᐅᖅᓯᒪᕗᑎᑦ, ᐃᖅᑲᐅᒪᕖᑦ?”

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ᐃᓱᒪᒋᓗᒋᑦ ᖃᖅᑲᐃᑦ ᑕᒪᓐᓇ ᐅᓂᒃᑳᓕᕈᕕᐅᒃ.” ᐅᖃᐅᑎᔭᐅᕗᖓ ᓂᐱᒧᑦ ᐅᖄᓚᐅᑎᒃᑯᑦ ᐃᖅᑲᐅᒪᒋᐊᖁᔨᓪᓗᓂ ᓯᕗᓪᓕᖅᐹᕐᒥ ᐳᓛᕆᐊᕐᓂᕆᓚᐅᖅᓯᒪᔭᕐᓂᒃ ᐊᐅᓱᐃᑦᑐᕐᒧᑦ. ᑕᑯᕗᖓ ᖃᖅᑲᐸᐅᔭᐅᑎᓂᒃ ᐊᕙᓗᓕᒫᕐᓂ, ᐊᐳᓯᒪᐃᓐᓇᖅᑐᑦ ᐅᑭᐅᖅᑕᖅᑑᑉ ᐃᒪᕕᖓᑕ ᓯᓈᓂ. ᖃᖅᑲᐅᑉ ᑐᙵᕕᐊᓂ ᓴᓇᙳᐊᖅᓯᒪᔪᖃᖅᑐᖅ ᐊᕐᓇᙳᐊᕐᒥᒃ ᕿᑐᕐᖓᒥᓂ ᑎᒍᒥᐊᖅᑐᒥᒃ.

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ᑎᑎᕋᖅᑎᕈᕐᓂᖅ ᕿᙳᐊᖅᑕᐅᔪᒃᓴᕐᓂᒃ ᖃᐃᖅᑯᔭᐅᓂᒃᑯᑦ

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LIKE MOST OF MY UPBRINGING, it was a challenge for me to place myself in spaces I was not invited. Speaking from when I was not particularly aware of my own presence, I would feel that sometimes my mere existence was welcomed. It was the way someone would look at me with frowned eyebrows, glances or the movement in their lips. The unspoken awkward silence, the idea that perhaps not saying anything is the only way of saying something. There are often no words required to know if you are welcomed or not.

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