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A small group of people in a motorized boat on a calm body of water, heading towards a rocky shoreline. The passengers are dressed warmly and wearing red life jackets, with inukshuks visible in the background on the rugged terrain

Kuuvik Bay, Where Aukkautik Lived

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Kuuvik is the northernmost major river of the west coast of Nunavik, Québec. Several islands are at its mouth, including Aqiggituut which means abundant with ptarmigans. Inuit knew of the abundance of seals and whales in this area, making it an ideal place for Inuit families to winter.

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Katherine Takpannie’s Life in Pictures

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When Katherine Takpannie was 15, she took a point‐and ‐shoot camera she got from her uncle and began a project where she took a photo every day for about nine months: people, nature, buildings. She still has those photos and when she looks at them now, she sees how the seeds of curiosity and wonder bloomed into a career in photography.

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An illustration featuring three figures wearing traditional Inuit clothing, each holding a rope that encircles a large bird with a long neck and dotted feathers, symbolizing a hunting scene. The figures appear to be working together to capture the bird in a stylized, abstract representation.

BIG MONEY

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On November 20th, 2018, history was made at Waddington’s Auction House in Toronto. A limited edition print of Kenojuak Ashevak’s “Enchanted Owl” sold at auction for a whopping $216,000. This simultaneously shattered previous records held by the famous bird, and reopened a recurring debate in the Canadian arts landscape—resale right.

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An Interview with Nellie Arey

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NELLIE AREY HAS LIVED IN AKLAVIK SINCE 1959 and has raised her family there, as well as continuing to make a subsistence living on the land. Nellie is here to tell some of what it was like growing up on the land, teaching her kids and grandkids the way her family taught her. This interview was special for me, as I am one of her grandkids, and I heard stories that were new even to me.

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“You were here, remember?”

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THINK OF THE MOUNTAINS WHEN YOU TELL THIS STORY. A voice over the phone instructs me to remember my first time visiting the hamlet of Ausuittuq. I 
see immense mountain ranges all around, cloaked in a permanent blanket of snow and the Arctic Ocean at the hems of its shores. At the base of the mountains

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A black-and-white group photo of family members dressed in traditional Inuit clothing. The group includes adults and children, standing and sitting in front of an igloo, with some seated on a sled. Each person is warmly dressed in fur clothing, smiling for the camera.

Becoming a playwright by invitation

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LIKE MOST OF MY UPBRINGING, it was a challenge for me to place myself in spaces I was not invited. Speaking from when I was not particularly aware of my own presence, I would feel that sometimes my mere existence was welcomed. It was the way someone would look at me with frowned eyebrows, glances or the movement in their lips. The unspoken awkward silence, the idea that perhaps not saying anything is the only way of saying something. There are often no words required to know if you are welcomed or not.

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